As the Community Prepares to Celebrate Duane Flatmo, Humboldt’s Favorite Artist Reflects on His Childhood, His Creations and His Legacy

Ryan Burns / Thursday, June 4 @ 4:01 p.m. / Art , Community

Duane and Micki Flatmo aboard one of the local artist’s flame-belching creations at the annual Burning Man festival in the Black Rock Desert of Northern Nevada. | All photos courtesy Duane Flatmo unless stated otherwise.

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No one with even a passing familiarity with the work of Duane Flatmo would be surprised by the curiosities strewn around the Eureka home he shares with his fellow-artist wife, Micki Dyson Flatmo.

Over here: a pair of shrunken heads hanging from a length of twine. In the living room: a coffee table assembled from loose bolts, old can openers and other scrap metal. Perched on a cluttered shelf: three technicolor head sculptures sprouting haphazard eyeballs, noses, ears and teeth. 

The centerpiece on the dining room table is a crank-operated miniature of El Pulpo Mecanico, the giant, fire-spewing, steampunk kinetic octopus that, with its successor, El Pulpo Magnifico, became a sensation at the annual Burning Man festival. A star in its own right, El Pulpo has appeared on “The Simpsons” and late night TV and been tattooed into the flesh of multiple fans.

On Monday, Flatmo offered the Outpost a tour of his home before sitting down for a long conversation about his life, his art and the upcoming celebration of his nearly 50 years of contributions to the Humboldt County community. The June 13 party, which will be held beneath his own massive mural on the Arkley Center for the Performing Arts, will double as the official dedication of Duane Flatmo Alley, which the Eureka City Council unanimously agreed to rename in his honor.

In the tiny backyard shed that served as Flatmo’s former art studio — the space where he created countless posters and logos for the likes of Lost Coast Brewery, FoxFarm Soils and KHSU — he picked up a few old canvases and described his technique for using meticulously hand-cut stencils and an airbrush to create his distinctive cartoon-Cubist paintings.

A few of the many product logos Flatmo has designed.

In his current art studio, inside the house, Flatmo fingered through a tangle of custom medals hanging from a hook. The awards were bestowed upon him during his many years of participation in Humboldt County’s Kinetic Sculpture Race (aka the Kinetic Grand Championship). Many of the medals were crafted by that event’s “glorious” founder, the late sculptor Hobart Brown. 

Flatmo has recently begun looking at such things from a new vantage point, wondering what will become of it after he’s gone.

“You start looking at this stuff and you go, ‘What’s gonna happen to all that stuff?’” he said. “It’s weird. You collect all these things. Every year at Burning Man I have a box full of stuff that people gave me which I thought was really unique, and now it’s just sitting there in a box. It’s like photos; where are they all gonna go when you’re — .” 

He left the question unfinished. “That’s the way I’ve been thinking lately.” 

Flatmo shows some of his Kinetic Sculpture Race medals. | Photo by Ryan Burns.

Flatmo is dealing with what he describes as “disturbing health issues,” preferring not to linger on the details or the prognosis. Four years ago he underwent a liver transplant. Now, that new organ has been compromised and will likely get the better of him.

Temperamentally, though, Flatmo remains the upbeat goofball so many people love. He lights up recalling his various adventures, like the time in 2004 when he, Micki and some friends took monster art trucks to China. His gap-toothed grin flashed as he played a live track from his rock band Spudgun, which performed at bars, parties and the Redwood Run motorcycle rally back in the day, opening for the likes of Creedence Clearwater Revival, Bad Company and 38 Special.

El Pulpo at Burning Man.

When the tour of his home was complete, we sat down for the actual interview. Flatmo, dressed in his casual outfit of a hooded sweatshirt, blue jeans and cadet cap, leaned back in a cushy armchair. As he talked, the light from his sun-drenched backyard danced across the lenses of his horn rimmed glasses.

Young Duane.

Born in Santa Monica in 1957, Flatmo and his three siblings (one older brother plus a younger brother and sister) later moved to Big Bear Lake in San Bernardino County, where a high school art teacher, John O’Hare, channeled his burgeoning art skills into practical applications such as lettering for sign-making. 

“He told me you can go to any town and just start looking for old signs that need to be repainted, [say], ‘I’ll paint that for five hundred bucks’ and get some quick cash in your pocket,” Flatmo recalled.

When he moved to Humboldt County in 1977, it struck him as “a place you can get away with things,” like erecting a wooden plane sculpture in the mudflats of Humboldt Bay. 

An early indication of Flatmo’s impish sense of humor: He built the plane nose-down, as if it had crashed after takeoff from the nearby Murray Field Airport. Soon after it was installed, the sculpture was torn apart by angry pilots, who viewed it as bad luck, according to a 2006 story in the North Coast Journal.

Big Bear High School art teacher John O’Hare with teenage Flatmo.

Periodically during the interview, Flatmo got reflective.

“All my life I’ve told my mom, ‘Mom, I’m just here temporarily.’ I feel like I’ve been allowed to be here, and all I want to do is the right thing and the good things, and do things that leave the place better after you leave, you know? I always wanted to do that. And she always wanted me to have kids.”

He never did. Not biologically, anyway. But for a dozen years, Flatmo mentored young artists through the Rural Burl Mural Bureau, the celebrated community art program that pairs professional artists with local youth (ages 14 to 24) to design and paint large-scale public murals. He thumbed through a stack of photos from the ‘90s showing him with his teenage charges, splattered with paint, as they work on various murals.

Flatmo (lower right in the red cap) instructs students on mural painting.

As he flipped through the stack of photos, he recalled students’ names and details from their lives — the big guy whose dad was abusing him at home; the kid who smeared acrylic paint into the spikes of his mohawk; the teens who introduced him to the music of Beck and the Smashing Pumpkins.

Several of the murals Flatmo and his students created, like the trio of alley dogs on F Street between Fourth and Fifth (pictured in progress above), can still be spotted around Eureka. Others, including a huge work on what’s now the George Petersen Insurance building that showed local community members helping each other after a large earthquake, have been covered up. 

Flatmo and students in front of a mural depicting a post-earthquake scene. While the painting has been covered by a new wall, Flatmo believes it’s still intact.

“And this faded,” Flatmo said looking at another photo. “Nobody keeps these up; they’ve gotta keep up these murals.”

Eureka now has more than 50 large-scale murals, with more being created every year through the Eureka Street Art Festival and other initiatives. But Flatmo said that when he first got to town, there were only two: wavy imagery by artist Randy Spicer on a local waterbed store and the big sperm whale mother and calf on A Street at Fourth.

While working at Sears (first in draperies, then hardware and eventually the display department), Flatmo took an art class at College of the Redwoods that taught him a lot about cartooning and graphics. He was doing sign-making work on the side, and his big breakthrough came when the owners of Bucksport Sporting Goods hired him to redo the lettering on the building. They asked if he also did murals.

“I had learned them in high school — how to do grids — and I go, ‘Oh yeah, I could do that,” Flatmo recalled. “And so that was my first job.”

Painted in 1984, the Buskport mural is based on an L.W. Duke painting of 19th century frontiersmen. (Flatmo later added a man standing off to the side, looking up at the mural, with his shadow creating the optical illusion of three dimensions.) Los Bagels owner Dennis Rael drove past while Flatmo was painting it and asked him to create the multicultural panorama that still adorns the wall across from his Arcata bagel shop. Next came the old-timey service station scene on Finnegan & Nason Auto Supply in Henderson Center. 

“So they slowly started snowballing,” Flatmo said. 

Flatmo at work on a since-removed mural at Humboldt Brewery.

As for the inspiration behind his kinetic sculptures — from the googly-eyed crustacean The Crawdudes to the 11-eyeballed mutant Extreme Makeover to flame-throwing metallic beasts such as Tin Pan Dragon and El Pulpo — Flatmo traces his inspiration to a few different sources. There was Mad magazine (particularly the work of cartoonist Jack Davis) as well as Rube Goldberg, the cartoonist/inventor known for drawing elaborate chain-reaction contraptions. Also: the Southern California amusement parks he visited as a kid. 

Captivated by the double-corkscrew roller coaster that debuted at Knott’s Berry Farm in 1975, young Flatmo went home and, with the help of some friends, built his own Rube Goldberg machine from materials in his parents’ garage: a wheelbarrow, shovels, bowling balls, etc.

In high school he built more kinetic displays, including one in which a marble rolled down a track and triggered a mechanism that lifted a little soldier by the noose around his neck while making a Nazi officer’s arm rise in salute.

“My mom and dad were a little embarrassed I think,” Flatmo recalled with a chuckle, “because there were demons and clowns and weird shit all through this thing. But they were intricate things. They were not the kind of obvious thing where it goes there, there and then the scoop picks it up. They were scenes that were happening.”

Flatmo dons a gas mask to protect himself from a sandstorm at Burning Man.

As a youngster, he also carved wood with a pocket knife. Flatmo hopped out of his armchair and walked into his studio to show a couple of examples. He held up a handrail knob with a crudely carved frowny face, red lips and hair of purple yarn. He also pointed out a wooden spoon with a stack of human heads carved into the handle.

Other items in his studio quickly grabbed his attention: the Duane bobblehead created by local artist Kati Texas; the signed illustration of El Pulpo by Simpsons animator David Silverman (a regular Burning Man attendee); a framed Mickey Rat drawn for him personally by cartoonist Robert Armstrong, whom Flatmo met via R. Crumb.

Flatmo met Micki in the late ’70s. She was designing advertising and window displays for Bistrins department stores, and one day she walked into Promotional Arts, the t-shirt company where Flatmo worked on silk-screening, painting and shirt designs. 

“You know when you see someone and you’re like, ‘Oh, my god, I want to know that person! Look at that smiling face!’” Flatmo said. “She looked great, and she wanted some signs printed.”

The two were both married to other people at the time, but they wound up working together. About six months after each of their marriages eventually fell apart, they met up with each other in Old Town Eureka.

“We got some roller skates. She met me down there. We skated all around; it was brand new asphalt,” Flatmo recalled. “And we started seeing each other.”

They shared their first kiss on a bridge near the present-day Hikshari Trail after a wave had extinguished their beach bonfire. More than four decades later, the couple regularly attends Burning Man together and, at home, they’re avid fans of the TV reality show “Survivor.”

Duane and Micki.

Back in the living room, Flatmo’s thoughts returned to the student artists he mentored through the Rural Burl Mural Bureau. Over the 12 years that he taught, he figures he worked with 80 to 100 kids. 

“That’s the other thing about what I’ve been thinking about lately, too, is you want to do everything to help the next generation go forward,” Flatmo said.

That appears to be a goal he’s already achieved. He received a Father’s Day card one year from a group of former students, and he recalled another one telling him that he’d been a better dad to him than his own father. Another former student, Lucas Thornton, has become an accomplished muralist in his own right. 

Flatmo believes that creating public art can be transformative for young people. 

“You see the kids out painting now in a group project, and everybody that comes up and gives them a good thumbs up, it just lifts their spirits and they feel like they can take on the world,” he said. “Some people don’t get that all through their life.”

Flatmo preparing to paint his largest mural on the Arkley Center for the Performing Arts.

Flatmo’s artwork has transformed Humboldt County, not just through the murals you see every time you go to Pierson’s Building Center, the Arkley Center, the Eureka Co-Op and so many other spots. The playfully anarchic character of his creations has been entwined with the community’s own identity. His influence can be felt at every Kinetic Sculpture weekend, seen at each new street art festival and found on product labels in every local grocery store.

Some people, in the later stages of life, might feel pride or even arrogance at such achievements. Flatmo expressed only gratitude.

“One of the things I think about is how lucky I’ve been,” he said. “I started off at Sears doing butcher paper signs for grocery stores, you know, ‘Hamburger 59 cents a pound,’ and you keep building and building and building. I’ve been blessed so much, the way my life’s worked, that I can’t complain about anything. So at the end, you can really be bitter and sad or you can just … I’m just trying to be my normal self as long as I can and stay upbeat and do the right stuff, you know, do the right thing.” 

Flatmo shows what a cardstock stencil board looks like after he’s finished a painting, having used an X-Acto knife to cut out tiny pieces before airbrushing that spot and then replacing the piece with masking tape. | Photo by Ryan Burns.



A couple minutes later, he stood up and walked back into his studio, where he fired up his computer and searched through files until he found a playlist of old live Spudgun tracks. He clicked on one and pressed play on a jaunty rockabilly tune with a walking bass line and jangly electric guitar. 

“That’s me singing,” he said as the vocals came in, a lyric that mentions going back home, getting out of the city and seeing his pretty. “I wrote this coming back to Humboldt,” he said. 

He leaned way back in his chair, nodded his head to the beat for a few bars and smiled. As the harmonica solo kicked in, Flatmo said, “We loved getting people dancing. We were a dance band.”

El Pulpo lights up the crowd at EDC Las Vegas.

If you’d like to dance with Duane Flatmo and his 30-foot-tall, flame-throwing mecha-octopus, then clear your calendar for the evening of Saturday, June 13, from 7 to 10 p.m. The “Duane Flatmo Alley” street sign dedication will be a public celebration, complete with food trucks, music and face-warming geysers of tentacle flame.

Flatmo called earlier today to make sure this story plugs the event. “If you’ve never seen El Pulpo fire off, this is a good time to come out and see it,” he said.

More info below:

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CORRECTION: This post was modified to correct a couple of photo captions that had misidentified locations. The Outpost regrets the errors.


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The Top-Two Primary Was Supposed to Change California Politics. Did It Flop?

Ben Christopher and Jeanne Kuang / Thursday, June 4 @ 2:39 p.m. / Sacramento

A voter fills their ballot at a vote center at Sol Mexican Grill in Chico on June 2, 2026. Photo by Salvador Ochoa for CalMatters

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This story was originally published by CalMatters. Sign up for their newsletters.

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For all the talk of a governor’s race between two Republicans, or even two Democrats, it’s looking like voters are in for a typical partisan matchup in November.

In predictably Democratic California, there’s no need for a political science degree or a crystal ball to confidently predict the result of a general election face-off between Xavier Becerra, the current Democratic front-runner, and former Fox News host Steve Hilton, a Republican.

Despite the top-two primary system in which the two highest vote-getters advance to the general election, regardless of party, likely Democratic cakewalks abound further down the ballot after Tuesday’s election.

So why is it so rare in California, which hasn’t elected a Republican to statewide office since 2006 and where Democratic voters outnumber registered Republicans almost two-to-one, to put two Democrats on the ballot in the general election?

For all its political reputation as the left coast, California is simply not overwhelmingly Democratic enough to regularly advance two Democrats to the general election, said Andrew Sinclair, a political scientist at Claremont McKenna College who has studied the effects of California’s top two.

With Democratic candidates regularly earning roughly 60% of the statewide vote, the electorate is sufficiently left-leaning to make the outcome of Democrat-versus-Republican general elections fairly predictable. But Democrats don’t make up quite enough of the vote share to push two Democratic candidates through the open primary except in somewhat unusual circumstances, he said.

“After about 60% to 65% Democratic vote share, it starts to get much more likely to get D-on-D races,” he said. In recent statewide races, the percentage of votes cast for the Democratic candidate has hovered around 60%, “right in the electoral dead zone,” said Sinclair.

The promise of top two

It wasn’t supposed to be this way.

California’s unusual “top two” election system puts every candidate on the same primary ballot; the first and second place winners progress to the general election. The idea, approved by voters in 2010, was advertised as an engine of both political moderation and more meaningful choice. Both the Democratic and Republican parties were opposed.

Proponents argued that pulling candidates out of a purely partisan primary system would encourage them to appeal to voters across the ideological spectrum, rather than just the party base.

Former Gov. Arnold Schwarzenegger speaks during an event at the Sutter Club hosted by the Sacramento Press Club on Nov. 17, 2023. Photo by Miguel Gutierrez Jr., CalMatters

The new voting scheme would “change the dysfunctional political system and get rid of the paralysis and the partisan bickering” in California politics, Republican Gov. Arnold Schwarzenegger, who championed the proposition, said at the time.

In districts where one party dominates the field, allowing multiple candidates from that same party to compete was meant to make general elections competitive.

But if current election results hold — and with so many ballots still left to count, they may not — Californians don’t appear likely to see many competitive statewide races in November.

In Tuesday’s races for lieutenant governor, attorney general, controller and treasurer, a series of high-profile, well-financed Democrats are competing against Republicans who range from long- to longer-shot. In congressional contests in West Los Angeles and Napa Valley, where upstart progressives challenged moderate incumbents, the upstarts appear to have been boxed out, leaving the two veteran Democratic representatives, Mike Thompson and Brad Sherman, to face ill-fated Republicans.

A notable exception is the insurance commissioner’s race, in which two Democrats — Jane Kim and Ben Allen — hold the two top spots. The 2018 lieutenant governor’s race was also a Dem-on-Dem contest. It’s happened a few times in U.S. Senate races. But in most cases, a reversion to the polarized partisan norm is the rule.

That’s in part thanks to the primary electorate itself.

Fewer voters tend to turn out in June elections, and those who do tend to be committed partisans prepared to vote for one party or another. Though the top-two system is officially nonpartisan, Democratic voters treat it like a partisan primary, herding around the person they consider the strongest representative of their party, with Republicans doing the same, said Eric McGhee, a political researcher at the Public Policy Institute of California.

There may be a handful of “pure independents in the middle” who will swing between parties, moderating the outcome and potentially crossing party lines to put a centrist over the top.

But such voters are rare — especially in June.

Case in point: Matt Mahan, the moderate Democratic mayor of San Jose who ran for governor criticizing “extremism on both sides.” With his focus on pocketbook issues and promises to limit his own party’s state spending, Mahan was the “poster child” for a top-two system designed for “all those so-called people who are going to come to the middle,” said Democratic consultant Steve Maviglio.

“He got 4%,” said Maviglio, a top-two critic who voted for Mahan. “Voters are partisan, at the end of the day.”

Does the system create more moderates?

Californians are much more likely to see same-party general election contests in local races, where an individual district is more likely than the state as a whole to be overwhelmingly dominated by one party.

In congressional races in the San Francisco Bay Area, Sacramento and across Los Angeles and in legislative races in liberal enclaves across California, two Democrats are on track to head to November.

USC political science professor Christian Grose said over the last decade, about a third of legislative general election races have been between two members of the same party.

Removing the choice between parties from the general election can have benefits like allowing voters to choose based on true policy differences or perceptions of competence rather than simply siding with a party, he said. But it can also invite voters to make choices based on “things not related to governance,” like gender or race.

In a 2020 paper, Grose found that congressional candidates in top-two states have an incentive to tack toward the center, suggesting the top-two system works as intended whether or not the candidates end up competing in a same-party general election.

And in a newly created purple district that runs northeast of Sacramento, former Republican turned independent Rep. Kevin Kiley appears to have claimed first place in his race. Running without official party backing may be easier under a nonpartisan primary system.

Shutouts and cynical games

There are obvious downsides.

Tom Charron, co-founder of the California Ranked Choice Voting Coalition, says the top-two primary system is vulnerable to “cynical gaming” in which one candidate boosts the candidate they consider easier to beat in the general election.

Newsom did that in 2018 by tacitly steering Republican voters toward Republican John Cox, whom he viewed as a weaker opponent than fellow Democrat Antonio Villaraigosa.

Likewise, in the 2024 primary, a super PAC backing Democratic U.S. Sen. Adam Schiff put millions of dollars behind Republican candidate Steve Garvey, undercutting Democratic former Rep. Katie Porter’s chances.

Another possible problem popped up early in the life of the reform. In 2012, the first cycle after voters approved the top two, four Democrats crowded into a race to represent San Bernardino in Congress. Two Republicans did the same. The Democrats ended up slicing up the left-of-center vote so thinly that the Republicans won the top two spots, despite Democrats holding a modest voter registration edge.

A more egregious example took place 10 years later when too many Republican candidates vying to represent a deeply conservative state Senate district east of Fresno divided the GOP vote, leaving Democrats in the top two.

That perverse outcome was top of mind for many Democratic voters earlier this year when a glut of Democrats running for governor threatened to leave the top two spots to Hilton and Riverside County Sheriff Bianco.

‘In some sense, the Democratic Party did everything they possibly could to make (a shutout) happen.’
— Andrew Sinclair, a political scientist at Claremont McKenna College

With Becerra and fellow Democrat Tom Steyer well ahead of Bianco in the vote count, the shutout didn’t happen, showing how unlikely it was, said Claremont McKenna’s Sinclair.

“In some sense, the Democratic Party did everything they possibly could to make (a shutout) happen,” Sinclair said. He pointed to a “low-quality field of candidates” likely to divide the vote evenly, the abrupt exit of front-runner Democratic Rep. Eric Swalwell and the failure of the party or any of its California luminaries to endorse anyone.

If nothing else, the fear among highly engaged Democratic voters may have led a decisive number to vote strategically to avoid a shutout, Sinclair said.

Changes on the way?

Even though it was eventually averted, the prospect of a Republican governor in California in 2026 has led some to reconsider the top two.

Maviglio has filed a proposed ballot measure to repeal the top-two system and return to partisan primaries.

“The fact that there are any (same-party general elections) is simply undemocratic,” Maviglio said. “People have the choice between only one party, like they’re in the Soviet Union?”

In theory, Democrat-on-Democrat races are supposed to give voters a choice between distinct ideological options within the same party — a business-backed moderate, say, and a Bernie-boosting progressive.

In practice, voters are quite bad at making such distinctions, said McGhee at PPIC.

“The evidence we have of how voters view these contests is that they don’t have a clue who the moderate or the liberal is,” he said. “It’s always a good bet that voters are way way way less tapped into the nuances of what’s going on than you are if you’re interested in politics.”

Others are pushing for a third option — ranked-choice voting.

Charron, with the Ranked Choice Voting Coalition, said his group is advocating for California to move toward an Alaska-style voting system in which the top four or five primary finishers advance to a ranked-choice general election.

Ranked choice allows voters to rank their candidates by preference. If a voter’s top choice doesn’t receive enough votes to win, their vote goes to their second preference, then third, and so on. Several California cities already use it for mayoral contests, including Oakland and San Francisco.

Charron said the system encourages a more diverse field of candidates and gives voters more choice, since few would worry about being a “spoiler” for a fellow party member.

In May, the nonpartisan nonprofit Independent Voter Project launched a group aimed at bringing ranked choice to California via a constitutional amendment that could go before voters in 2028.

“It’s very exciting for us right now that these conversations are coming up because of some of the risks that we’ve seen in this primary season, in particular,” said Charron.

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Kate Wolffe contributed reporting for this story.



Got Extra Bamboo? Saffron, the Sequoia Park Zoo’s Hungry Red Panda, is Looking for a Snack

LoCO Staff / Thursday, June 4 @ 11:27 a.m. / Animals

Post from the Sequoia Park Zoo Facebook page:

“Bamboo, plz!” | Photo: Sequoia Park Zoo

Local friends, do you have bamboo growing in your garden?  

You might be able to donate it to feed Saffron and the Zoo’s other leaf-loving animal friends!

Bamboo donations must be:
 Organic!
 Freshly-cut!
 Three feet in length (or more) with leaves!

Bamboo donors must check in at the Zoo ticket booth upon arrival. New donors will be asked to complete a donation form. Bamboo is accepted at the discretion of Zoo staff, Tuesday-Sunday from 10am-3pm.

Questions? Contact zooinfo@eurekaca.gov or call (707) 441-4229.

 Fun Fact: Sequoia Park Zoo cares for over 100 bamboo plants on-grounds! Because red pandas can eat several pounds of bamboo every day, having supplemental community donations gives our plants time to replenish, increases the variety of bamboo species available to our animals, and offers guests an innovative way to “recycle” green waste.



Election Denier Likely Loses Job in Shasta County. But Voters Back Hand-Counting Ballots

Ryan Sabalow / Thursday, June 4 @ 7:51 a.m. / Sacramento

This story was originally published by CalMatters. Sign up for their newsletters.

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Shasta County voters appear to have ousted a controversial elections chief who promotes conspiracy theories about voter fraud, even as they approved a ballot measure that would require hand-counting ballots and voter ID, conflicting with California election law.

If the results hold, Registrar of Voters Clint Curtis, who has advocated for the initiative, will remain in office until the end of the year. On Wednesday, former elections office worker Joanna Francescut was leading Curtis with about 56% of the vote. She’s on track to win the race outright because they were the only candidates on the primary election ballot.

Curtis.

His loss would set the stage for a tense November election. The conspiracy-minded elections chief will remain in charge of the office after a bitter defeat — with nothing to lose in a county that is already a national hotspot for election deniers.

Tuesday’s election also was marked by lengthy vote-reporting delays, and a local journalist raised concerns about the threat of future violence at elections offices after the editor of the nonprofit Shasta Scout newspaper reported that she saw an election worker activate what appeared to be a stun gun.

The county’s Measure B, requiring hand-counting of ballots, in-person voting and voters to show ID, was leading by 2,464 votes. An activist group called Shasta Election Reform is behind the initiative.

Curtis, a self-proclaimed “elections integrity advocate,” lived in Florida and had no experience administering elections before the county board of supervisors appointed him in 2025 over Francescut, who also sought the job.

Curtis has accused his predecessors of stuffing ballots to sabotage Republicans, an allegation they say is ridiculous, considering the county reliably votes Republican. Donald Trump won two-thirds of the vote in Shasta County in 2024.

Curtis fired Francescut soon after taking over the elections office. She sued recently alleging wrongful termination.

Curtis associated with conspiracy theorists

Two county-instigated investigations found troubling examples of Curtis acting inappropriately on the clock.The investigations found that he routinely mistreats his employees, casually threatens physical violence and urges his workers to perform illegal acts, the San Francisco Chronicle reported. The investigations found Curtis also violated election law by campaigning for himself while on county business.Curtis has aligned himself with 2020 election deniers, publicly expressed skepticism about voting machines and significantly reduced the number of ballot drop boxes in the county.

Curtis also wouldn’t tell local journalists whether he’d cooperate with Trump’s federal law enforcement agencies following a new California law prohibiting law enforcement officers from seizing ballots.

That’s a concern after Riverside County Sheriff and Republican candidate for governor Chad Bianco took the unprecedented step of seizing ballots in that county this year.

Curtis served as an adviser to the activist group that made dubious claims of voting irregularities in Riverside County, and he broke the news at a Shasta County Board of Supervisors meeting that Bianco planned to seize the ballots. As CalMatters reported, Bianco’s investigators relied entirely on the group’s questionable claims when they asked a judge to approve their seizure.

Curtis’ spokesperson, Brent Turner, said that should Francescut ultimately get more votes than him, voters don’t need to worry about Curtis trying to stay in power like Trump did in 2020 after Trump lost that election.

“Clint is a law-and-order investigator of corrupted systems,” Turner said. “That’s more, I think, a Trumpian kind of a play that you’re alluding to, and I have seen no sign of anything like that.”Francescut’s campaign spokesperson didn’t return an interview request sent through the campaign’s social media account.

Measure B’s apparent passage sets the stage for a conflict in state courts that Shasta County is likely to lose. Courts found that a similar measure Huntington Beach passed in 2024 requiring voters to show ID violated state law.

Turner declined to address the legal uncertainties and referred inquiries to the California Attorney General’s Office. The agency didn’t immediately answer CalMatters’ questions.

Did an election worker ignite a stun gun?

The AG’s office also didn’t immediately respond to CalMatters’ questions about whether it was investigating one of Curtis’ employees for allegedly touching off a stun gun with a journalist watching.Annelise Pierce, the Shasta Scout editor, said she was standing outside the elections office watching workers Curtis hired as temporary employees.

As they waited by the street for a car to drop off ballots from an outlying precinct, one of the men pulled out a stun gun and set it off, making a loud zapping sound, Pierce said. Turner disputes that it was a stun gun.

The worker appeared to be only showing the weapon to the other men and didn’t try to hurt anyone, but it alarmed Pierce. She alerted those inside, including poll observers from the attorney general’s office who were monitoring the election, she said.

Curtis came out and took the stun gun from the man, she said.

Pierce said Turner downplayed the incident. She said that troubled her, given the tensions over voting in the county and the threat of violence at polling places.

“I think the thing most upsetting was no one took it seriously when this seemed like a safety issue,” she told CalMatters.

Turner said the device was just a flashlight that made a buzzing noise.

“It unfortunately makes a noise that is not an appropriate noise, and that was, you know, addressed, but it was not a Taser,” he said.

Pierce said she believes the device was a flashlight-stun gun device, but she didn’t get a photo of it.

It’s illegal for a member of the public to carry a firearm in a polling place in California, brandish a weapon or to intimidate polling workers or voters, but the law doesn’t appear to explicitly address possession of non-lethal weapons such as stun guns.

California Assembly Elections Committee Chairperson Gail Pellerin said the incident may lead to a new law to explicitly ban such weapons in elections offices.

“I’m certain that it’s something we’d be looking at to remedy in another election cycle, you know, because we just keep having to pass laws dealing with creative new unacceptable behaviors (during elections),” said Pellerin, a Democrat and former elections chief in Santa Cruz County.

Shasta County vote tallies delayed

When Curtis took the job, he promised more efficient vote counting, but election night returns were much slower than in most other California counties.

By midnight, several other counties, including neighboring Siskiyou and Lassen, had posted almost all of their preliminary precinct counts online, while Shasta County’s website showed less than 2% reported.

Turner said the delay was due to the power in the dilapidated Shasta County elections building going out, delaying the process by about two hours, which also happened last year.

‘We really should desire accuracy and precision in the processing of the ballot.’
— Shasta County elections spokesperson Brent Turner

As he discussed the delays, Turner, a Democrat who advocates for open-source voting systems, sounded a lot like other California elections officials who urge patience with the state’s notoriously slow elections.

The time it takes to process mail-in ballots causes results to shift, sometimes dramatically, from early returns that typically favor Republicans, a phenomenon that has given rise to many of the conspiracy theories activists use to cast doubt on election results.

“The procedures that we’re implementing and have implemented, results in good precision (with vote counts), but there can be timing elements involved,” Turner said. “I appreciate everybody wants the fastest count possible, but … we really should desire accuracy and precision in the processing of the ballot over the desire to have a quick answer on election night.”



‘It’s a Family’: How a California Tribal College Is Opening Doors for Native Students

Ella Carter-Klauschie / Thursday, June 4 @ 7:47 a.m. / Sacramento

Amelia Giron at the UC Riverside Palm-Desert campus, where California Indian Nations College has its offices, on May 15, 2026. Photo by David Fouts for CalMatters



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When Amelia Giron, 41, started taking courses at California Indian Nations College in 2023, she was three months into Alcoholics Anonymous, battling homelessness and drug addiction and not on speaking terms with her four children.

Now, Giron has been sober for more than two years, has a relationship with her children, and has been joined by her two eldest in taking courses at the college. Giron expects to graduate with an associate degree in sociology this month and attributes her reconnection with her family to the tribal college.

College leaders say Native students have long been left behind in education, and tribal colleges give them a chance to attain culturally supportive higher education. While California is home to the largest number of Native residents of any state in the U.S., it has just one confirmed tribal college and little state funding support.

Now, two Assembly bills introduced earlier this year look to further strengthen tribal education in California.

Assembly Bill 1641 would add tribal colleges to the California education code’s definition of public higher education and Assembly Bill 1769 would allow tribal college students to transfer their units to other colleges and universities. College leaders hope the assembly bills, as well as recent accreditation, could open the door to consistent state or federal funding. The president of California Indian Nations College, Celeste Townsend, said Native students have been “bypassed, ignored and suppressed” in education over the decades. For students like Giron, tribal colleges offer a chance to experience a culturally relevant curriculum and revitalize their languages.

“When I started participating in the different workshops, and I started to really learn the culture it really helped me,” Giron said. “Understanding and also just participating in ceremony, sweat lodge and stuff like that… it helped really ground me and keep me on the road to recovery.”

Nationwide, Native Americans graduate from college at lower rates in comparison to other groups.

In California, the community college system reports that 58% of American Indian or Alaska Native students stay enrolled after their first year, in comparison with 68% of students overall. Within the California State University system, the four-year graduation rate for American Indian or Alaska Native students is 29.1%, while the overall rate is 37.3%. At the University of California system, American Indian students’ four-year graduation rate is 62.7%, compared to the overall rate of 74%.

California Indian Nations College opened in 2018 and is located in Palm Desert near Coachella, where it offers associate degrees through a partnership with the College of the Desert. All courses have been fully transferable to four-year colleges and universities because degrees were conferred by College of the Desert.

Now, the tribal college has received an eight-year accreditation from the Accrediting Commission of Colleges and Junior Colleges, allowing it to offer associate degrees independently.

Taking a community-centered approach to education

California has the largest indigenous population of any state in the country, at over 700,000. Besides California Indian Nations, the state lists only two other tribal colleges: California Tribal College in Sacramento and Kumeyaay Community College near El Cajon east of San Diego. Officials with California Tribal College and Kumeyaay Community College did not respond to multiple requests to confirm they are still in operation.

Shawn Ragan, executive vice chair of California Indian Nations College, said Native Americans have a traumatic history with Western education systems. Federally recognized Tribal Colleges and Universities are an effort to put formal learning into the hands of tribes.

“Education has been used as a tool of colonialization,” Ragan said. “It’s been used to strip language, identity, culture, from Native Americans.”

It was that bridge between me and my family, and reuniting us.
— Amelia Giron, 41, student at California Indian Nations College

Though the college has been offering instruction entirely online since the COVID-19 pandemic, students routinely have opportunities to connect in person for basket weaving, hikes, sweat lodge ceremonies and gatherings.

Giron now serves as student body vice president overseeing academics and clubs, a brand new position this year. The student government at the college is currently working on its bylaws and setting up a bank account.

Growing up, Giron was not in contact with her mother’s side of the family, which has connections to the Agua Caliente Band of Cahuilla Indians. Her younger brother started attending the college, recommended it to her, and she started taking courses as well.

One day, she invited her four teenage children, who were estranged at the time, to join her on a hike hosted by the college, and they agreed. While walking through Palm Desert’s canyons, a cultural guide from the college spoke with them about the medicinal and ancestral uses of the plants in the area. When they reached a body of water, the guide sang bird songs and burned sage to cleanse negative energy, Giron said.

“That was that first connection, again, with my kids,” Giron said. “We’re building a relationship. CINC is a huge part of that. It was that bridge between me and my family, and reuniting us.”

Giron said the tribal college’s teaching style emphasizes community building more than her K-12 schools and the College of the Desert. From the time she started at the college, Giron said she felt investment from administrators and professors. Without the college, Giron said she may have started drinking again.

At California Indian Nations College, some exams incorporate collaboration with other students in a “talking circle” format, where students are able to work in groups and engage in discussion.

Giron said she chose to study sociology because it provides a broad range of employment opportunities where she could give back to her community. She’s considering becoming a counselor, social worker or therapist.

“That same system that was designed to oppress us, we’re now utilizing as a tool, to be resilient, come out on top, and just prosper,” Giron said. “I just feel so empowered by the idea of being a part of that.”

Accreditation is a historic milestone for California tribal college

California Indian Nations College became the only tribal college in the state to be accredited by the Accrediting Commission of Colleges and Junior Colleges on Feb. 3. The commission’s accreditation enables a college to qualify for federal grants and contracts, distribute federal financial aid and transfer student credits more easily.

The college currently has no consistent funding stream, relying on $9 million in seed money from the Twenty-Nine Palms Band of Mission Indians at its founding. The federally recognized tribe also provides funding for the college to cover tuition costs for all students.

Three years ago, the state granted the college $5 million in one-time funding, and in 2025, the state gave an additional $10 million. This year, the college is requesting $13.5 million from the state.

This school is not just an institution, it’s a community, it’s a family.
— Erica Muñoz, 22, student body president at California Indian Nations College

Townsend said the college’s accreditation will enable students to take pride in their degree, knowing it is fully recognized and accepted at the university of their choice, as well as being culturally specific.

“We’re showing [students] that through education, the value of a degree can carry a lot of weight,” Townsend said. “We’re giving them that empowerment, and we’re proud to do it and open the door and encourage them to go further.” The college has served 517 students since it opened in 2018. Three-quarters are first-generation college students. In 2024, 59% of graduates transferred to another college or university to continue their education, up nearly 30% from the previous academic year.

Indigenous studies materials at a booth for California State University during the California Native American Day celebration at the state Capitol in Sacramento on Sept. 22, 2023. Photo by Miguel Gutierrez Jr., CalMatters

In the 2024-25 academic year, 25 students graduated from the tribal college with associate degrees. This spring, Townsend is expecting 33 graduates.

“This strengthens academic pathways as well as honoring our commitment to our people, to educate… and empower them, bringing that community reciprocity,” Townsend said of the accreditation.

Student body president Erica Muñoz, 22, said she traveled to Sacramento last year to speak to lawmakers to advocate for Cal Grant support for students at California Indian Nations College. She said she was proud to show up for herself and for her school, and share her story.

In high school, Muñoz said she didn’t get much support from teachers and counselors. She felt like she was a statistic, joining the ranks of Native students who struggle to keep up with schoolwork. Muñoz said it seemed easy to “slip through the cracks” before she enrolled in California Indian Nations College. She is now the first member of her family to attend college. Muñoz lives in Banning, about 35 miles from the college, and grew up in San Bernardino.

“This school is not just an institution, it’s a community, it’s a family,” Muñoz said. “There’s going to be more opportunities for students, more career pathways to open up. This is giving us the structure and stability that we’ve always wanted.”

Solidifying tribal colleges’ place in California higher education

The current state education code defines public higher education as campuses within the California Community Colleges, California State University and the University of California systems. AB 1641 would add tribal colleges and universities to the list.

Ragan said the bill is a chance to codify what tribal colleges mean to the state.

“The Native community has been invisible throughout the nation and also in California,” Ragan said. “We’re not part of the framework for how California thinks about higher education.”

Bill co-sponsor Assemblymember James Ramos became the first Native American assemblymember when he was elected in 2018. The Democrat represents District 45, which encompasses parts of San Bernardino, about 60 miles from Palm Desert.

Ramos said AB 1641 is about making sure the state recognizes tribal colleges.

“The tribal community continues to suffer at a rate higher than other groups that are out there with high school attainment, college attainment and education attainment,” Ramos said. “Tribal colleges are a way for tribes to start to fill in that gap of making sure that people do pursue higher education.”

Ramos also authored AB 1769, which he introduced on Feb. 23. This bill would ensure that courses taken at California tribal colleges are transferable to Cal State campuses and community colleges. The bill would require the Cal State Board of Trustees and the community college system’s Board of Governors to develop and implement a transfer agreement for accredited tribal colleges. It would request the UC Regents do the same.

“It opened doors for us to be part of the conversations,” Ragan said. “As California is doing its master planning, or any kind of higher education planning, that tribal colleges are included in that conversation… This is a first step towards eventually becoming a regular line item in the state budget, but there’s still a lot between here and there.”

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Ella Carter-Klauschie is a contributor with the College Journalism Network, a collaboration between CalMatters and student journalists from across California. CalMatters higher education coverage is supported by a grant from the College Futures Foundation.



OBITUARY: Orion Waters, 1975-2026

LoCO Staff / Thursday, June 4 @ 7:38 a.m. / Obits

Orion Waters
July 27, 1975 – May 26, 2026

With heavy hearts we announce the passing of Orion Waters. May the memory of his smile, friendly hug and infectious lyrics be a comfort to all he left behind.

Orion Waters, born Joseph Orion Watrous, was born in San Rafael to Barbara Jean LeBlanc and Staney Robert Watrous in 1975. A happy, sweet, thoughtful boy, he grew up around Nevada City, California, getting into shenanigans with his brother Robert “Buck” LeBlanc. A self-taught guitarist, song writer, artist, Tai Chi Chuan/Qi Gong practitioner and teacher, Orion had many interests to keep him busy. He was proud of his deep connection with Northern California, and the counterculture that he was raised in. According to Orion “my hippy mother, and the punk rock and reggae music scene I grew up in; influenced me greatly.” He was blessed with a tight friend group growing up, with many adventures on his favorite river, the Yuba.

He moved to Humboldt County in 2001 to attend HSU (now, CalPoly Humboldt) and earned an Environmental Science Degree with Soils and Watershed Management concentration. In 2003 he married Bella Waters and together they raised two boys – Sage Waters and Solan Waters. The family enjoyed visiting rivers, spending time with friends, gardening, their numerous pets (Scotty, Tabby, Akua, Chewy, Cali, Ninji, Mazi, Lulu, Gypsy and Karma, plus some hissing cockroaches), camping, exploring local and national trails and parks and playing music with friends.

Orion was a prolific guitarist and song writer, spending time at the rivers writing new music, coming up with new lyrics and always asking for requests. He and his band, The Illumistics, played a show at HumBrews and Orion even played the North Country Fair with Madi Simmons, which was a highlight of Orion’s life. He started posting original and cocreator music on SoundCloud as “IM Unity.” Orion believed “the only defense against the “System” (Babylon) is our natural IMmune system. The music of IM Unity is meant to boost your resistance to corruption, apathy, group think, depression, brainwashing, and the Babylon BS that is forced on to us through all forms of mass media. It’s about self-preservation, about cultural preservation and revitalization, and about strengthening our resolve and Will in these crucial times.”

Orion was also a prolific artist, always coming up with new designs and names. He liked working with crystals and light, including fiber optic cords. Some of his designs were called “The Light Squid,” “Illumorphictins,” “Amulits” and “Spectrolanterns.”

An amazing linguist, his brain was aways on overdrive with lyrics, art names, band names (which he would shout out and then exclaim – band name! I call it!) , slogans and bumper stickers. He was also a prolific writer, journaling his thoughts, ideas and stories.

Orion helped support his family with his own landscaping companies – the Tai Chi Gardener and Hummingbird Gardening and Landscapes. He loved beautifying yards while also designing landscapes. He enjoyed bringing driftwood, river rock and natural elements into his work and nothing made him happier than helping a homeowner manifest the yard of their dreams. He was particularly fond of projects that have a permaculture, or an environmental aspect to them. He worked with a number of people, including his sons, during his landscaping career.

As an example of Orion’s writing, wordsmith and how he incorporated his many interests into his life was found on his Tai Chi Gardener blog:

I am “The Tai Chi Gardener”. I am here to help you balance the elements of your yard and garden! I call myself the Tai Chi Gardener because I have been practicing Tai Chi for as long as I have been working in the Landscape/ Gardening profession. I have been doing both since 1996, and have come to appreciate how they each have influenced and improved the quality of the other. Patience, focus, intuition, balance, strength, timing, flow, efficiency: these are some of the qualities that I have cultivated over the years, for which I attribute to both my practice of Tai Chi and my experience as a Gardener. For June tasks: Divide crowded perennials and share. Do some deadheading. I hear Further is touring this summer ;) “joke”

Orion is preceded in death by his father Bobby Waters (Staney Robert Watrous). He is survived by his mother Barley Waters (Barbara LeBlanc), brother Buck (Robert) LeBlanc, wife Bella (Rebecca) Waters and sons Sage and Solan Waters. He also leaves behind extended family members, friends, neighbors and loved ones whose lives were enriched by knowing him.

We are deeply grateful for the overwhelming love and support our family has received during this time. Words cannot fully express our gratitude for each and every one of you.

Though Orion’s journey on this earth has ended, the music and love he shared, the beauty and awe he created, and the memories he leaves behind will continue to live on in the hearts of all who knew and loved him.

A Celebration of Life will be held on Friday June 12, 2026 at 6 p.m. at Clam Beach. Park in the middle parking lot and head towards the ocean. Family and friends are invited for a potluck to gather, share memories, and honor a man who will be greatly missed. Orion’s ashes will be scattered at his favorite places at a later date.

In lieu of flowers, sympathy cards may be sent to Bella Waters, PO Box 429, Arcata, CA 95518.

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The obituary above was submitted on behalf of Orion Waters’ family. The Lost Coast Outpost runs obituaries of Humboldt County residents at no charge. See guidelines here. Email news@lostcoastoutpost.com.



New Humboldt Bay Planning Document Looks to the Future, With Guidelines for Sea Level Rise and Port Development

Sage Alexander / Wednesday, June 3 @ 4:53 p.m. / Government

Several communities around Humboldt Bay are at risk of inundation from sea level rise or tsunamis. Photo: NWS Eureka.

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The first draft of a big update to a 1980s-era Humboldt County planning document was released this week.

The Humboldt Bay Area Plan Update, which sets the policy direction for land use of 21,500 acres in the unincorporated bay area and over 20 miles of coastline, has new modifications aimed at guiding the future of the region through a spread of projected hazards and opportunities.

“Some things have definitely changed in the last 40 years. We’re dealing with climate change, which is resulting in sea level rise and wildfire and other things like that, that weren’t even thought of back in 1983,” said John Ford, director of Humboldt County’s Planning & Building Department.

This draft has added guidelines for addressing hazards like sea level rise and tsunamis, and proposes new policies to set a process for approving offshore wind energy support facilities.

The plan’s area. Map: Humboldt County

A big update to this plan has been discussed for about a decade, Ford said, and has been in the works for the past six years. It’s considered a long-range plan, something that will ultimately shape zoning and development choices in the years to come.

With the bay poised to see serious sea level rise in the coming decades, key changes in the plan include policies that aim to address rising sea levels, like spelling out guidelines for shoreline protection and provisions for hazard planning.

Humboldt Bay is experiencing the highest rate of relative sea level rise in the U.S. West Coast, because the ground beneath the bay is sinking as global sea levels rise. Communities like King Salmon are particularly threatened.

Ford said the plan’s provisions will help give guidance to future developers, or people who might want to purchase a home, so they’re knowledgeable about what’s happening and what’s appropriate to do in certain areas.

Plus, “you want to be able to outline how we’re going to minimize those hazards as we move into the future,” he said.

The plan also lays out standards to limit or shape development in areas most subject to tsunamis— about 25% of structures in the Humboldt Bay area are in the tsunami evacuation area. One measure would prevent new development in the plan’s area unless there is a tsunami refuge point relatively nearby.

Ford described the 1983 plan as largely looking at what was already there, not thinking about what “could be.” Another key part of the updates are to allow for the future of offshore wind.

Along with proposed wind turbines to be attached west of Eureka in the ocean, a wind manufacturing and vertical assembly hub is proposed near Samoa, the Humboldt Bay Offshore Wind Heavy Lift Multipurpose Marine Terminal.

A Port Overlay Zone for the proposed heavy lift marine terminal in Humboldt Bay is introduced in this plan, a special designation that would allow for standards to be shifted to accommodate the proposed facilities. Ford noted developers would still need to apply for these projects and there would be an opportunity for community input in the process.

“Rather than trying to do a permit or a variance or something like that, this will create an environment whereby they can just define what they need and the community gets to weigh in on it. Then, the ultimate decision maker there will be the Board of Supervisors,” he said.

There’s also language that excludes any new or expanded oil and gas development from a “coastal dependent industrial facility” (which Ford noted stems from a Coastal Act change). 

The 214-page draft is filled with a spread of clarifications and technical changes, like removing now-irrelevant names of property owners or the existence of now-defunct pulp mills.

Many of these standards were shaped by changes to the Coastal Act — 1976 legislation that regulates development along the coastline and makes land use decisions appealable to the powerful California Coastal Commission.

A more meaningful update to the language is an acknowledgement of local tribes; previously the Wiyot people were described in the past tense, and along with fixing that error, the new draft includes a land acknowledgement and chapter on tribal history. The plan similarly includes provisions in support of environmental justice.

Overall, Ford said the draft includes no prohibitions of existing uses. Many of the updates aim to protect the public and, as much as possible, protect improvements from future hazards, he said.

Ford says the draft is a work in progress, and encouraged public comment.

The department is planning a Planning Commission workshop on July 16. The Planning Commission will hear additional public comment and tinker with it over the next months, and hearings for Commission adoption will come later in September.

Then, the Board of Supervisors would consider it — perhaps even at the end of the year, if things go “extraordinarily well,” said Ford. 

“I hope that it presents a vision that Humboldt Bay is a good and stable place to live and do business, and [will] guide future decision makers and attract quality development, and be of benefit to the community,” he said — he wants to have his cake and eat it too, he joked.

The department is encouraging public comments and questions on this draft to be sent to LongRangePlanning@co.humboldt.ca.us 

Read more about the update at: humboldtgov.org/1678/Local-Coastal-Plan-Update.