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Odesza

The Jam

Seattle production duo ODESZA began as a recording project between Harrison Mills (aka Catacombkid) and Clayton Knight (BeachesBeaches) after graduating from Western Washington University. Their first release, Summer’s Gone, was a mixture of dreamy, sun trickled melodies, glitched out vocals, crunchy drums and large sweeping bass lines. Two tracks from Summer’s Gone, “How Did I Get Here” and “iPlayYouListen,” reached #1 on the Hype Machine Popular chart, cementing the duo as a force in the underground electronic community.

2013 saw the release of the My Friends Never Die EP with three of the five tracks hitting #1 on Hype Machine. Relentless touring followed, including dates with Pretty Lights, Emancipator, Michal Menert, and performances at Sasquatch Music Festival, Lightning In A Bottle, What The Festival, Summer Meltdown, Capitol Hill Block Party, MusicfestNW, Decibel Festival and Symbiosis Gathering. The duo was playing to larger and larger crowds when Pretty Lights tapped ODESZA to remix “One Day They’ll Know,” which also hit #1 on Hype Machine and #8 on the iTunes Electronic Chart. Also in 2013, ODESZA selected their favorite producers for a follow up remix EP, My Friends Never Die Remixes, and launched the ambitious, ongoing mixtape series NO.SLEEP. To date, ODESZA has over 4.7 million streams on SoundCloud, a number that is sure to grow after the duo tours this Winter and Spring along with numerous Summer festivals.

D33J-In the hands of producer Djavan Santos, a.k.a. D33J, what should be computer-quantized or staid is given light and life. Aquatic textures overlap with bedroom clicks, muffled vocals & vacuous guitar to form hazy late night jams with just enough rhythm for a syrup-drenched dancefloor. Colors change over the course of a song — cool blues melt to hearthy reds — and melodies wind their way through shifting textures while new forms are created at every turn. Though D33J is a solo sound technician, his sound is variegated. It is lush and large and it is alive.
Of course, the 22-year-old’s pedigree demands as much. Los Angeles born and bred, D33J attended the city’s prestigious yet public Hamilton High alongside Anticon’s Baths, OFWGKTA’s Syd the Kid, the FIDLAR boys, and Friends of Friends bit-bender Groundislava. While there, he studied both guitar and electronic music, and caught friends’ shows after-hours when he wasn’t experimenting with software at home.

When D33J moved north to study experimental audio and visual design at the San Francisco Art Institute, he was initiated into the WEDIDIT mafia (via Shlohmo, Ryan Hemsworth, Jonwayne, RL Grime), with whom he nurtured a strongly weirdo cult lifestyle and further developed his unique approach to crafting instrument-infused, R&B-touched bedroom techno.

D33J recently returned to L.A. to claim his rightful place among the city’s vital noise-makers. While he continues to seed the Wedidit BlogSpot with bold R3MIX3S — see clutch reinventions of Brandy, Sigur Rós, and Drake — Anticon is giving his Tide Songs EP the debut it deserves. The five tracks contained therein offer an inventive, brightly budding intro to an artist who’s only just begun to blow the eff up himself.

Kodak to Graph- Allured by pulsing incantations of cassette grain & VHS blips, live instrumentation and other found sounds, Kodak To Graph’s Michael Maleki (22) delicately floats listeners through blooming clouds of synth-washes, haunting reverberations, and propulsive rhythms. Maleki’s candle-waxed R&B & flower-trailed soundscapes weave together the nostalgic tones and colors reminiscent of a quiet childhood with the urban bounce and rhythmic disposition of the more modern spirit.

Void Audio Provided by Basscraft -

Visuals by Johnny Dumps -

DATES/TIMES

WHERE

• The Jam

PRICE

• $12
• $10 Limited Advanced

• Ages: 21+